Rebecca O'Dwyer

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Chakaia Booker and Carol Rama, Against the Day

Short review published in Art Review, April 2023 (Forthcoming)

Disappointing Art

Essay published in The Tangerine no. 13 (Forthcoming)

Conflicting Spaces

Commissioned essay for the launch of the Irish Photo Network website, November 2022

Thoughts on friendship

Short text written alongside the exhibition things being friends, Gebäude 501, Tempelhof Airport, November 2022

Nina Canell, Tectonic Tender

Review published in Paper Visual Art vol. 14, September 2022

Spleen

Short essay published in Nothing Personal no. 2, March 2022

Biennale de l'Image en Mouvement 2021, Geneva

Review published in Art Review, Jan/Feb 2022

Somewhere and Nowhere at All

Essay commissioned for Groundings (Jan 2022), a joint project of EVA International, Lofoten International Art Festival, and Göteborg International Biennial for Contemporary Art.

Ja'tovia Gary, The Giverny Suite

Short review published in Art Review, September 2021

Out of Touch

Essay published in Paper Visual Art Journal 12, August 2021

Space for Two

Short essay published in You and i are Earth, edited by Fergus Feehily for Paper Visual Art Journal, March 2021

The Trouble With Being Bored

Essay reprinted in Some Good Will Come, the anthology of Fallow Media's first five years, February 2021

Frank Sweeney: All I believe happened there was vision

Introductory text written for aemi online, July 2020

Two Painters

Catalogue essay written for exhibition by Kathy Tynan and Andrew Vickery, Highlanes Gallery, Drogheda, Feb–April 2020

Art Encounters 2019, Timișoara, Romania

Review published in Art Review (Dec 2019)

Incoming: Gaby Sahhar

Feature published in Sleek no. 63, Autumn 2019

Frances Stark, lonely and abandoned on the market place

Review published in Art Review, September 2019

Straying from the Line (Schinkel Pavillon, Berlin)

Review published in Eyeline, Summer 2019

Elvia Wilk, Oval

Book review published at The Stinging Fly, August 2019

Rising, as such

Short text on the work of Andrea Büttner, published alongside the exhibition '…and the days run away like wild horses over the hills…' Dublin, Summer 2019

Incoming: Louise Bonnet

Published in Sleek no. 62, Summer 2019

Producing Futures: A Book on Post-Cyber-Feminisms

Book review published in 032c no. 36, Summer 2019

Surveillé.e.s, Centre Culturel Irlandais, Paris

Review published in Paper Visual Art Journal 10, April

Hannah Black, Aeter

Review published in Art Review, March

Thinking of the Network

Short essay written for IMMA publication 'The Edit,' March 1

Helen Marten, Fixed Sky Situation (König Galerie, Berlin)

Review at Burlington Contemporary, 20 Feb

What Moves you?

Short report on Transmediale 2019, written for Map, 15 February

Instead of an object

Catalogue text for Walker & Walker, Nowhere without no(w) (IMMA, Dublin, Feb 2019)

With Stupid

Essay in Doggerland, On Sociality and Idiocy: A Reader, February 2019

Outside In

Short text written about Evan Roth's Red Lines project, for Artangel, January 2019

Beatriz González, Retrospective 1965–2017 (KW, Berlin)

Review published in Eyeline, Winter 2018

Barbara Kleinhamplová, Sickness Report

Review published at The White Review, 13 December 2018

How Should We Look at Cornelius Gurlitt’s Trove of Nazi-Looted Art?

Hyperallergic, 14 November 2018

Jo Applin, Lee Lozano: Not Working

Book review published in 032c no. 35, Winter 2018/19

The Utopian Visions of Geta Brătescu

Published at Apollo, September 2018

Simon Fujiwara, Joanne

Review published in Paper Visual Art Journal 9, Autumn 2018

Titus Schade, Plateau, Museum der bildenden Künste, Leipzig

Review published in Art Review, September 2018

Hannah Levy, Panic Hardware

Essay written alongside solo exhibition at mother's tankstation, Dublin, May-July 2018

How to tame a distance: On the recent work of Noel McKenna

Essay published in 'Tied Up Dogs Rose Bay,' Darren Knight Gallery, Sydney, August 2018

Acting Out: Jane Cummins, 'Half Sick of Shadows'

Essay in Source Photographic Review 94, Summer 2018

Leslie Jamison, The Recovery

Book review published at The Stinging Fly, June 2018

Ana Mendieta, Covered in Time and History

Review published at Apollo, June 2018

Áine McBride: Between Building and Unbuilding

Published alongside 'work suite,' mother's tankstation, Dublin, Feb-April 2018

EVA International 2018, Limerick

Review published in Art Review, June-August 2018

Straight Edge

Short essay written for Real Life (US), May 2018

Negative Space (again)

Essay reprinted in Junior 3 (Empathy), April 2018

Dragana Jurišić, My Own Unknown

Exhibition review published in Source Photographic Review, Spring 2018

Maria Fusco, Give Up Art

Book review published in Map Magazine (UK), March 2018

Report: Response to a Request

Published in Visual Artists' News Sheet, March-April 2018

Negative Space

Essay published in The Tangerine no. 4 (Winter 2017)

Alona Rodeh, The Runner (LIVE)

KOENIG2 by_robbygreif, Vienna, Oct-Nov 2017. Review published in Spike Art Quarterly (AT), Winter 2017

Kate Nolan, LACUNA

Gallery of Photography, Sept-Oct 2017. Review published in Source no. 92 (Winter 2017)

Noel McKenna, Not too hot, not too cold

Text written for publication alongside McKenna's solo exhibition at mother's tankstation, Dublin, Sept - Oct 2017

Brian Dillon, Essayism

Book review published at The Stinging Fly (online), October 2017

The New Conservatism

In which I think about Morgan Quaintance's recent essay for e-flux conversations (blog)

Maria Farrar, straits

Text written for publication alongside Farrar's solo exhibition at mother's tankstation, Dublin, May - July 2017

Awkward angle of perception

Text written for publication alongside Diana Copperwhite's 'Crooked Orbit,' at Kevin Kavanagh Gallery, Dublin, June-July 2017

Scissors Cut Paper Wrap Stone

Review published at Paper Visual Art Journal, April 2017

Alasdair McLuckie, The Birth of Form

Text written for mother's tankstation, Dublin, April 2017

Dreams of Plastic Love

Text written for Caroline Doolin's 'Fault Found Bodies,' Project Arts Centre, Dublin, February-April 2017

If the Ground Should Open...

Review of Jaki Irvine's solo exhibition at the Irish Museum of Modern Art, published in Eyeline 86 (Spring 2017)

I told you I was ill

Catalogue text for Tamsin Snow and Sarah Tynan's 'Resort,' Mermaid Arts Centre, March – April 2017

The Trace That's Left in Us

Essay on Alan Butler's Down and Out in Los Santos project, published at Fallow Media, March 2017

sunset provision

Text written for Yuri Pattison's exhibition at mother's tankstation, Dublin, Nov 2016 - Jan 2017

On our collective wet dream

Essay published in Paper Visual Art Journal 7, October 2016

Foreign Objects

Review of Robert Anderson, Laura Eldret, and Florian Roithmayr's exhibition at CCA Derry-Londonderry, published at this is tomorrow, September 2016

Amazement Insulates Us All/Memento Vivere

Review of George Bolster & Damian Doyle's exhibition at the Lab, Dublin, published in Enclave Review 14, August 2016

Why not, indeed (blog)

On subjectivity in art criticism (a response to James Merrigan's 'Liminal’s fine, but...')

Pretentious is...?

Short essay published in the Visual Artists’ News Sheet, May-June 2016

The Trouble with Being Bored

Essay published at Fallow Media, June 2016

What's the Use in Being a Writer?

Short text published in Critical Bastards 12, May 2016

Metabolising the city

Essay written for Cui Jie's 'Former, Latter,' at mother's tankstation, Dublin, May-June 2016

Meme as Critique: On the Recent Practice of Metahaven

Essay published in Third Floor Graduate Journal, Montreal, April 2016

Who is Art Criticism For?

Text presented at 'The Value of Criticism,' Lewis Glucksman Gallery, Cork, February 2016.

fell again, bad show

On Matt Sheridan Smith's exhibition 'Pilot Fig. 3 Ep.1,' mother’s tankstation, February-April 2016

Gretchen Bender, Total Recall

Review published at this is tomorrow, December 2015

Display Show

Review published in Frieze no. 174, October 2015

Eoin McHugh, the skies will be friendlier then

Review published in Paper Visual Art Journal vol. 6 (Blueprint), October 2015

Glencree Intervention

Text written for publication alongside David Lunney's exhibition at The Lab, Dublin, September 2015

The Pattern Exchange

Essay written for Temple Bar Gallery, Dublin, March 2015

Beyond Metaphor, Mapping Social Systems (blog)

A response to Dr Francis Halsall and Kelley O’Brien's collaborative project 'Beyond Metaphor, Mapping Social Systems'.

Attentive Festivalisation

Essay published in The Visual Artists' News Sheet, Jan-Feb 2015

A Rethinking of Place

Essay written for Niamh O' Malley's exhibition at the Douglas Hyde Gallery, Dublin, Dec-Feb 2015

B-O-M-B

Short text written for Kathy Tynan's exhibition, 'The Sky is All Changed,' Hendron's Collider, Dublin, 2014

A Seductive Union

Essay published in Caoimhe Doyle, ed., 2014, Weaponising Speculation, New York: Punctum Books

Mother's Annual 2013

Six essays on the year's programme at mother's tankstation Dublin, 2013

Sam Keogh, Mop

Review published in Enclave Review 9, Winter 2013

Art and Philosophy: What Happens Next? (bad audio)

Teresa Gillespie, Robert Jackson and myself talking at NCAD, December 2013

Frances Upritchard, Mandrake

Review published in Apollo (online), September 2013

Approaching the Rotunda

Catalogue text for 'Cloud Illusions I Recall,' Irish Museum of Modern Art, June-August 2013

Aleana Egan, The Sensitive Plant

Review published in Paper Visual Art Journal 5: Dublin Edition, June 2013

An Object Among Others

Essay published in the artist Barbara Knezevic's publication 'Object Registry,' May 2013

Mark Clare, The Two Horns of Phaedrus

Review published in Paper Visual Art Journal 4: Cork Edition, April 2013

The Iterable Gesture

Essay published in Das Super Paper 26 (Re: Performance), March 2013

Untitled text

Presented as part of the debate Autonomous Practices, Autonomous Objects, Autonomous Institutions, which took alongside Sarah Pierce’s exhibition 'Towards a Newer Laocoon,' November 2012

Mairead O’hEocha: The Sky was Yellow and the Sun was Blue

Review published online at Paper Visual Art Journal, September 2012

Regarding Olympia’s cat: Aesthetic Genetics and the Art Genome Project™

Essay published in Paper Visual Art Journal 3: Limerick Edition, August 2012

Not this, not that

Essay published in Fergus Feehily's (very beautiful) publication, 'Into the Garden' 2012

Holding on to your Shadow

Essay published in Sean O' Sullivan's 'The Wheel,' Spring 2011

Making Do with Non-Place

Unpublished text from 2010, designed and printed by Sean O'Sullivan

Faith in Failure

Essay published in Padraic E. Moore (ed.) ‘Investigations into the Super-Physical,’ Cork Art Trail, November 2010